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About ‘Through This Window’ Columns and the Author

Columns by Ethelene Dyer Jones under the general title “Through This Window” with each column having its own title according to the subject she writes about in a particular week, have been published in The News Observer, Blue Ridge, Georgia, since April 5, 1990 through the present.

The author chose ‘Through This Window’ as a symbolic title for the series. She wished to convey that she was looking backward into history and remembrance, presently at current events, and forward into the future with implication of how history affects both the present and the future. She writes narratively to record and introspectively to analyze. Eventually the editors at the newspaper chose to drop the general title, “Through This Window”—but each column the author sends for publication weekly still bears that designation. For the purposes of this blog, therefore, “Through This Window” will accompany each title.

Although published by The News Observer, the columns are copyrighted by the author. Therefore, please contact the author for permission to quote any part of these columns.

She sincerely hopes readers will enjoy her view “Through This Window” and learn much of history and life as it was lived out in past generations. Thank you for your interest.

Ethelene Dyer Jones is a retired educator and free-lance writer. She was born in Union County, Blairsville, Ga. She received college degrees from Truett McConnel, Cleveland, GA (AA); Mercer University, Macon, GA (BA); Western Carolina University, Cullowhee, NC (MA in Ed.); and The University of Georgia (SEd). She was married 61 years to the Rev. Grover D. Jones who died in 2011. The couple had two children, Keith and Cynthia, and have seven grandchildren and currently fourteen great grandchildren, with three more expected shortly. Mrs. Jones lived in various towns in Georgia, with Epworth, Georgia being the longest residence from 1960-2003. She currently resides in Milledgeville, GA where she keeps active still as a creative writing and reading instructor, a writer, and an editor, helping other writers with their publications. She has two books of poetry published, The Singing in the Wood (1984); and Mother and Child Reunion (1995, jointly with her son). She assisted in writing, compiling and editing books: Faith Through Flood and Fire: A History of First Baptist Church, McCaysville, GA (1983); Facets of Fannin: A History of Fannin County, Georgia (1989); One Hundred Years of Heritage and Hope: A History of Morganton Baptist Association (1993); Cemeteries of Fannin County, Georgia (2003); Facing Forward: A History of Fannin County Schools (2013).

She is now working on a book of her memoirs and more chapbooks of poetry which she hopes to publish soon. She has often been asked to publish in book form columns from papers for which she has written, “Through This Window” series in The News Observer. Blue Ridge, GA; “Through Mountain Mists” series in The Union Sentinel, Blairsville, GA; “An Appalachian Voice” series in The Pickens County Progress, Jasper, GA, and others.

(-Ethelene Dyer Jones, 1708 Cedarwood Road, Milledgeville, GA 31061; edj0541@windstream.net. 478-453-8751)

Wednesday, June 8, 2016

Lady Liberty in New York Harbor

When someone says “Lady Liberty,” they usually know that reference is made to the Statue of Liberty that raises a torch high above the harbor at Ellis Island in New York at a location now named Liberty Island.
     June 19, 2016 marks the 131st anniversary of the statue’s arrival in New York Harbor from France, for it was on that date in 1885 that the 214 crates bearing the disassembled giant statute created by French sculptor Frederic August Bartholdi were unloaded from the French frigate “Isere.”
     The Statue of Liberty was a joint effort between the United States and the French governments. The idea came about soon after the end of the U. S. Civil War in 1865. The French government proposed making the statue if the United States government would build the base and pedestal. The total effort was to be a commemoration of the friendship between the two countries that had existed since before America won her freedom from Great Britain following the American Revolution. The proposal coming so soon after cessation of the Civil War was France’s congratulations that this country would make amends and reestablished a United States.
     Raising funds for such a massive project was not easy either in America or France. Money was raised in the United States for the giant base and pedestal by various benefits like theatrical performances, art exhibitions, auctions, and prizefights. Joseph Pulitzer used the editorial pages of his paper, “The World,” to criticize the rich for not donating to such a worthwhile cause and to challenge all to give for the pedestal’s erection. Monies came in and the pedestal was finished in April, 1886. In France, money had been raised through a lottery, public fees, and various forms of entertainment.
     To help sculptor Bartholdi with the work, the designer of the famed Eiffel Tower in Paris, Alexandre-Gustave Eiffel, was enlisted to create the skeleton of the monument. Sculptor Bartholdi designed the “skin” to go over the skeleton, made of copper and fashioned in such a way that the skin would actually “give” (or expand and contract), a condition needed for the statue’s preservation in the strong winds of New York Harbor.
     Although the crates containing the statue materials arrived on July 19, 1885, it actually took four months of intensive work to assemble both the pedestal accoutrements and the statue and its framework packed in 214 crates. On October 28, 1886, the magnificent lady was completely reassembled, ready for presentation, and a dedication service was led by President Grover Cleveland with thousands watching the impressive rites.
     Lady Liberty, looming aloft in New York Harbor, has been the inspiration and symbol of hope for millions of immigrants seeking freedom and a new way of life in America. In 1883, before the concept of a statue and a freedom monument was agreed upon by France and America, Emma Lazarus wrote a poem as a part of a fund-raising contest. Entitled “The New Colossus,” words of the sonnet were selected to grace the entrance area to the pedestal. The words have inspired visitors to the monument since 1886. The most quoted lines of the poem are

Give me your tired, your poor,
Your huddled masses yearning to breathe free;
The wretched refuge of your teeming shore;
Send these, the homeless, tempest-tost to me.
I lift my lamp beside the golden door.”

     Several renovations and improvements to the Statue have been made during the years, the most extensive in 1986, the 100th anniversary of its dedication. At times it has been closed as repairs and improvements have been made . Bedloe’s Island was renamed Liberty Island in 1965. In 1965, more than a decade after it was closed as a federal immigration station, Ellis Island became a part of the Statue of Liberty National Monument.
     Today, the Statue of Liberty is termed to be the most recognized symbol of freedom anywhere in the world, and the world’s most outstanding landmark.

(Published in “The News Observer, Blue Ridge, GA. June 8, 2016. ©2016 by Ethelene Dyer Jones. All rights reserved.)